Yvonne was interviewed for the Sept/Oct 2015 issue of YAM magazine, where she discussed her role as Victoria’s Poet Laureate.
Illustrator Val Lawton is interviewed by Calgary Public Library regarding her illustration career and the impact of the library
When I last interviewed Vancouver punks the Rebel Spell, I was surprised to discover that, long before the band had formed, their singer and principal lyricist Todd Serious knew the Subhumans’ Gerry Hannah. Stepha and Todd were living in ...
How MISSA afforded an opportunity for a local artist to exhibit her work in New York and the events that flowed from it. Metchosin International Summer School of the Arts (MISSA), local artist MaryLou Wakefield, Master Printmaker Dan Welden, Southampton
There aren’t a lot of modern rock bands running around spouting an ethos of love, harmony and goodwill toward one other. In a market where the gloomy, aggressive or just plain aloof is king, you wouldn't think these kinds of happy cuddly ...
For any of you fiends who've been dwelling inside rocket-proof domes until recently, the China Creeps -who are Neil on bass, Baxter on guitar, Matt on vocals and Dave on drums - are one of the leading (of what is becoming a tradition of) gr...
Times Colonist interviews Kirsten Van Ritzen about her acting roles in television movies filmed in Victoria in 2015.
A quick Q&A with the JUNO-winning band ahead of their sold out show in Kingston on February 23.
The venue shift for the Subhumans May 15th gig - from the Anza to the Ukrainian Hall (805 E. Pender) - returns the band to the scene of the famed 1979 Rock Against Prisons benefit, which also included Tunnel Canary, AKA, the female-fronted ...
Sometimes musicals aren’t all happy and cheery like many make them out to be.
Set in the late 1800’s, the dramatic musical Fires Burning takes the audience to a disaster that hits the small western town of Caldoon’s Crossing.
Preview:
https://www.focusonvictoria.ca/palette/173/
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio