Fans of guitar tone have a lot to learn about Bill Johnson. His fourth album, Cold Outside should be the one that has this Vancouver Island native flying high above the radar, finally. Ripe with an abundance of select tracks, Johnson proves...
Gillian Redwood continues her experimental dance with universal energies in The Triumph of Light. This new series of expansive acrylic paintings illuminate Xchanges Gallery April 3-18. Zoom Artist Talk and Tour of the Exhibit:
Saturday, April 10th at 3:3
On Jan. 14, 2015, Thomas was announced as the fourth Youth Poet Laureate of Victoria by the Victoria City Council. In a press release made the following day, the City of Victoria announced that Thomas would assume the responsibility of “[inspiring] and
Cheap Trick proves endless talent performing on "Guitar Center Sessions" season finale.
The unrivaled band shows no signs of slowing down as they amaze the crowd with their classic, high-charting song, "Dream Police".
The group recently toured th
Bruce Dean’s story is one of inspiration and creativity.
After a skiing accident left his knees badly injured he was prescribed a mobility scooter to help him get around, something he personally viewed as “a death sentence.” He did...
Eazy-E, Bone Thugs, Big Tymers, you name it: the bitches-n-money ghetto-rap is slamming the minute I crack the door. Jordie Dammet, bassist for bar-rock goodboys The Hotel Lobbyists (and sideman for country boozer, Shiloh Lindsey), is boot-...
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
http://www.artopenings.ca/regan-rasmussen.html
In the ever-changing world of indie-rock, be it Vancouver or elsewhere, it’s a respectable feat to maintain a working band for ten years…and the Buttless Chaps have been doing just that, with no signs of wearing out or slowing down. Cor...
Remembering the Summer of Love
After three years and completing the paintings, she realized: “ I was documenting my grief over the current unfolding environmental disaster.