Review of Ensemble Laude's Winter concert, 2014.
Two years after their Kingston debut, Comeback Kid returns to headline own show at The Broom Factory.
The Pack AD / Cadaver Dogs / The TVees / Valerie Graham
ANZA Club
June 20th, 2008
Dave Bertrand
So we swagger in with our free stamps and I'm feelin' good – old friends in the house, old friends at the bar, fist of beer; I enjoy the...
Friday June 6, 2008 @ the Railway Club
Expectations were running high for this CD release. Swank’s epic new CD/Karaoke DVD release Campfire Psalms has been greeted with banner press all around. Punters filled the Rail early, imbibing...
Fake Shark Real Zombie at Biltmore Thursday October 16
I missed opener The Green Hour to attend the fundraiser at Pub 340 for the guys in The Hotel Lobbyists. A tragedy of that scope has not hit the Vancouver scene in many years and the ...
Royal Unicorn Cabaret
April 25th, 2008
A pointless evening, overall; I came for Black Betty – Black Betty did not come! Ana was sick. They were replaced by the comparable, admirable Hezzakya, with huge double-stacks of amps-amps-amps ...
JUNO Award-winning band, Kobo Town makes a return to Kingston
ANZA Club - Sat.May.24th
I was in a bit of a funk as I made my way down to the ANZA club, already half-cut and looking to have my shit saved by some good ‘ol rock and roll. And with tonight’s amazing lineup, I was sure to have the ...
Blue Oyster Cult appeared at the PNE years back and gifted their audience with a towering fury of ten guitars driving their howling classic,”Godzilla”. The overpowering glory of their stringed abundance ground itself into the memory of...
w/ The Tranzmitors / Master Apes / Los Tycoons
The Biltmore Cabaret
July 11th, 2008
Mmmm! The Biltmore, with its refurbished red booths, red lights, cavernous mystery – once the most depressing waste of space in Mt. Pleasant, it is...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio