Yvonne was interviewed for the Sept/Oct 2015 issue of YAM magazine, where she discussed her role as Victoria’s Poet Laureate.
http://www.artopenings.ca/marie-allison-2022.html
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
Video by Lola Parks keeps levidrome front of mind. Victoria boy's word continues to gain momentum online. Lucky Budd, father of Levi Budd, campaigns to get "levidrome" in the dictionary.
Cheap Trick proves endless talent performing on "Guitar Center Sessions" season finale.
The unrivaled band shows no signs of slowing down as they amaze the crowd with their classic, high-charting song, "Dream Police".
The group recently toured th
Joshua Watts at the Victoria Arts Council Sept 9 - Oct 30.
Review:
http://www.artopenings.ca/joshua-watts.html
Samantha Dickie’s conceptual ceramic sculptures
and
Louisa Elkin’s contemplative oil paintings
together at Fortune Gallery Feb 17-March 24, 2022.
Preview: http://www.artopenings.ca/dickie-elkin.html
Gillian Redwood continues her experimental dance with universal energies in The Triumph of Light. This new series of expansive acrylic paintings illuminate Xchanges Gallery April 3-18. Zoom Artist Talk and Tour of the Exhibit:
Saturday, April 10th at 3:3
BIOGRAPHICAL INFO
A pro boxer will tell you that success in the ring hinges on the
belief in your own abilities. Belief which endures a pounding heart or
a weakened knee. Belief in oneself even after being knocked down to
the canvas o...
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
With her fifth album release on April 1 and Western Canadian tour dates throughout April, Orit Shimoni’s Bitter is the New Sweet opens up an exciting new chapter in the life of one Canada’s most brilliant and lyrically impactful vocalis...
In 2002, Dave Gifford and Stephen Nguyen found themselves in the not uncommon position of being art-school students with no place to live. While many would simply resign themselves to a period of complaisant couch-surfing, Gifford and Nguyen took their ho