Jerry Bryant, a blues musician who had a knack for opening doors into the world of music for generations of local students, has died at age 98. The singer and jazz pianist, who was born in Kansas City on April Fool’s Day in 1923, died Aug. 19.
Fans of guitar tone have a lot to learn about Bill Johnson. His fourth album, Cold Outside should be the one that has this Vancouver Island native flying high above the radar, finally. Ripe with an abundance of select tracks, Johnson proves...
Review by Debora Alanna:
Pj Kelly's current show, 'Frontier' @Polychrome Fine Arts gallery - Victoria BC
Local historian Glenn Parfitt was determined to create a website chronicling the early days of rock ’n’ roll in Victoria — despite the challenges involved in tracking down material.
For the second year in a row in downtown Kingston, Spring Reverb brought a whirlwind of kinetic energy from June 1 to 4, ringing in the new month with music, mayhem and magic with its 2023 edition. We sent photographer Virginia Meeks to capture it all, an
She’s been at it for 35 years, but Toni Blodgett’s love of jazz continues to fuel her band’s unique blend of what she calls “more traditional” music.
What it really means is her group has access to a vast repertoire of jazz tunes and has develo
Live-show extraordinaire act APEX BREAKS are quickly rising up through the ranks with their unique twist of Psychedelic Jungle Funk. The devoted 10-piece are carving out a lasting career for themselves, and kindly took part in an interview to delve a litt
A story on west coast Canadian blues guitar man, West Coast Comerford. Comerford has played in many blues bands out of Victoria, including the Rockin' Devils, All Them Blues Band and Uncle Wiggly's Hot Shoes Blues Band. The piece was published on Digita
Interview with RMRM done in October, 2012 by D'Arcy Briggs
Ska Fest: So first off, RMRM have become known as one of the region's best ska, reggae, and party bands. What were some of the original ideas behind the group and how would yo...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio