On a laconic Friday afternoon, Absolute Underground gathered to quiz an icon - Phillip H. Anselmo. He is one of the few stars who have remained 'underground' while courting success with top-sellers Pantera and Down. Through smaller projects such as Superj
Preview:
http://www.artopenings.ca/laundry.html
These gals...crazy. Vancouver to Toronto for a single gig. Fly home. Immediately pack the tour van. Cross the border at night. Drive 15 hours to a poorly attended Monday night show in Denver. Who does that? The Pack A.D., mofo, that's who....
Samantha Dickie presents
A Moment in Time
September 10 - October 31, 2021
Victoria Arts Council Gallery, 1800 Store Street,
Victoria. BC. V8T 4R4
Hours: Wednesday - Sunday, 12:00-5:00
Artist Talk: Sunday, October 17 @ 3PM, VAC Gall...
For those unknowing, Bison are Vancouver’s currently-reigning champions of The Riff, trafficking in mercilessly heavy, sludgy, and addictive sonic terror. Think discarded beer cans peppered with shotgun holes, full-size back-patches, pall...
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
Bison members I spoke to agree that the closure of The Cobalt would (or is it will?) be a “huge blow” for the Vancouver music scene. “Bison has played The Cobalt probably about five times,” guitarist/ vocalist James Farwell tells me...
Preview:
https://www.focusonvictoria.ca/palette/173/
For any of you fiends who've been dwelling inside rocket-proof domes until recently, the China Creeps -who are Neil on bass, Baxter on guitar, Matt on vocals and Dave on drums - are one of the leading (of what is becoming a tradition of) gr...
Lowest of the Low headline this fundraising concert, September 3 at The Creekside just north of Kingston.
Ira Hoffecker presents Transitions at Fortune Gallery
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio