“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio
The article talks about how I found my artist, and how letting go really does heal.
A quick Q&A with the JUNO-winning band ahead of their sold out show in Kingston on February 23.
GWAR – Oderus Urungus Does Not Smoke Crack Well With Others
Oderus Urungus is not the sort of intergalactic barbarian warlord who minces his words. I spoke with the leader of GWAR recently, and between copious puffs on his crack pipe,...
1. Hi John. First off, can you introduce yourself, your band and dancers?
You can call me John - I play a big Gretsch guitar and do the main vocals - I also do most of the songwriting. The band really began when sCare-oline (upright...
Sometimes musicals aren’t all happy and cheery like many make them out to be.
Set in the late 1800’s, the dramatic musical Fires Burning takes the audience to a disaster that hits the small western town of Caldoon’s Crossing.
Bison members I spoke to agree that the closure of The Cobalt would (or is it will?) be a “huge blow” for the Vancouver music scene. “Bison has played The Cobalt probably about five times,” guitarist/ vocalist James Farwell tells me...
PREVIEW: http://www.artopenings.ca/bury-the-hatchet.html