November 4th, Venue, Vancouver
Strolling down Granville Street to Venue, I couldn’t help but notice the somewhat historic 50-foot “Plaza” sign still hanging outside the newly renovated room. That sign was a beacon of nostalgia...
Nearly Famous Music Festival
Friday, November 14 @ Railway Club
This night had a definite New Wave feel to it. A draft choice of late 70's and early 80's influences was bandied about. Streetlight, a four piece of bass, drums, keyboard...
Review of Ensemble Laude's Winter concert, 2014.
Fake Shark Real Zombie at Biltmore Thursday October 16
I missed opener The Green Hour to attend the fundraiser at Pub 340 for the guys in The Hotel Lobbyists. A tragedy of that scope has not hit the Vancouver scene in many years and the ...
Bluegrass fans were treated to a lively and fun evening Friday night, Nov. 4, at Char's Landing.
Bluegrass Fever tore through an eclectic repertoire, consisting of traditional American tunes like Sweet Sally Brown and Fly Around My Prett...
October 27th 2009, the Rickshaw
After braving the absurd line-up of punks with little choice but to chain smoke furiously in an attempt to keep warm, I finally made it inside the Rickshaw Theatre---after an hour and a half. I guess...
Friday June 6, 2008 @ the Railway Club
Expectations were running high for this CD release. Swank’s epic new CD/Karaoke DVD release Campfire Psalms has been greeted with banner press all around. Punters filled the Rail early, imbibing...
The Railway Club, May 15th, 2009
The signature choo choo train circled the ceiling of the Railway Club as Sun Wizard took the stage on May 15th. The first of four Vancouver bands, Sun Wizard warmed up the crowd in their third performanc...
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
JUNO Award-winning band, Kobo Town makes a return to Kingston
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio