The Sweatshop, June 22nd
I walked into the dimly-lit Sweatshop to catch the tail end of System Shit’s wonderfully sloppy set. Who would have thought that a punk gig would start at 7pm? Fear of Tomorrow hit the stage and began to sonica...
Six Degrees of Separation: A New Generation of Canadian Artists
Curated by Noah Becker
Claire Oliver Gallery
513 West 26th Street
New York, NY 10001
October 14 through November 13, 2010
Over the course of the last decade, the glob...
April 10th, 2009
Cannibal Corpse/The Faceless/Neuraxis/Obscura
Croatian Cultural Center
By Marcell Fraser
Easter Weekend: there could be no more appropriate time to witness a death metal show such as this, and the more than solid bill...
The Cobalt
Feb 29th, 2008
If Vancouver were a jungle and we were all chimps, Todd Serious and Chris Rebel would have their own separate little bands. Chris’ pack would be more violent and smaller, and would conduct raids into Todd’s...
I entered Pat's Pub on Friday March 12th in the year of our lord 2010 to experience Motorama for the first time. There were three bands in the evening and Motorama opened. When I say opened, I mean OPENED. This power trio of punk dug int...
I’ve heard from numerous sources that the dance floor at the Commodore is supported by a layer of tennis balls, but I’ve never had cause to believe it until TV on the Radio unknowingly put this hearsay to the test. During a visceral tak...
Review of geode inspired work by Charine Barber seen at the Sooke Fine Art Show.
Two years after their Kingston debut, Comeback Kid returns to headline own show at The Broom Factory.
Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.
Sleep and Black Wizard, Commodore Ballroom, Vancouver February 7th 2015
While there has been much to enjoy with the spate of band reunions in recent years, (how many fans have had the renewed opportunity to witness performances by Carcas...
Blue Oyster Cult appeared at the PNE years back and gifted their audience with a towering fury of ten guitars driving their howling classic,”Godzilla”. The overpowering glory of their stringed abundance ground itself into the memory of...