From http://artperspective.org Our profile series 'Behind the Canvas' this week with Canadian artist, Michael Abraham. We have been following Michael's work for more than a decade and he continues to evolve, playing with scale, texture and expanding fro
Parts 1-5. An account of surfing in the Juan de Fuca (JDF) region on south Vancouver Island. No beaches are named in this book. With photos and contributions from Rivermouth Mike, James Murray, Danny Amato, and Bob Kemp, there is a special focus on the na
Bobby Faulds would probably have loved his comeback gig at CFB Esquimalt this Saturday. Although he’ll only be there in spirit — the Edinburgh-born entertainer died Oct.
On April 1, 2022, Pope Francis apologized to First Nations, Inuit and Métis gathered at the Vatican in Rome.
The origins and story of the band 'Shama'
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
Gillian Redwood continues her experimental dance with universal energies in The Triumph of Light. This new series of expansive acrylic paintings illuminate Xchanges Gallery April 3-18. Zoom Artist Talk and Tour of the Exhibit:
Saturday, April 10th at 3:3
Preview:
http://www.artopenings.ca/laundry.html
Lucky Bar owner Dylan Pitcher was on the phone from inside his Yates Street nightclub Tuesday, chatting while he rapidly ticked the final items off his “maybe one day” list of renovations.
Replace baseboards? Check. Install new oak tabletops? Check
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Ira Hoffecker presents Transitions at Fortune Gallery
In 2002, Dave Gifford and Stephen Nguyen found themselves in the not uncommon position of being art-school students with no place to live. While many would simply resign themselves to a period of complaisant couch-surfing, Gifford and Nguyen took their ho
Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.