On April 1, 2022, Pope Francis apologized to First Nations, Inuit and Métis gathered at the Vatican in Rome.
With her fifth album release on April 1 and Western Canadian tour dates throughout April, Orit Shimoni’s Bitter is the New Sweet opens up an exciting new chapter in the life of one Canada’s most brilliant and lyrically impactful vocalis...
A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
http://www.artopenings.ca/karen-kaiser.html
Artist in Attendance:
April 20, 22, 30 and May 4 from 11:00 - 2:00
April 25 and May 9 from 12:00 - 4:00
Wonderful whimsy abounds in Karen Kaiser’s NEW WORKS. Using loose flowing brushwo...
Jerry Bryant celebration concert with the Island Big Band
Alone with Trees, Grant’s solo show at the Gage Gallery,
presents a unique vision of BC’s coastal landscapes. Drawn in by the lush colours and flowing textures, the viewer must interpret the subtext of these surreal environments. Visu...
Despite a shaky start and a history of missteps, the Barn on Blanshard had plenty of good times - See more at: http://www.timescolonist.com/memorial-arena-left-a-capital-legacy-1.9377#sthash.DfPdmRdo.dpuf
Retired music teacher played in 1970s rock band Troyka
Gage Gallery Artists Collective
is MOVING to
19 Bastion Square, Victoria, BC. V8W 1H9
Gallery re-opens on June 29, 2021.
Laura Feeleus and Elizabeth Carefoot present Vivid Connections, June 29 - July 18, 2021.
See interviews with ...
Victoria singer-songwriter Vic Horvath hailed from Calgary but settled in BC’s oceanside capital (a move they discuss in the song “Shiney Shotgun”). After a couple of years of performing, touring and popping out the odd single, they finally released
Remembering the Summer of Love
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.