Solo Show at Gage Gallery Aug 28 - Sept 8 2018
Opening Wed Aug 29 5-7pm.
Derek Miller
The Dirty Looks
Arbor
I try to balance the good and bad in my reviews, even if I'm not into the style. I don't like saying it, but the sophomore album from Ontario's Derek Miller thoroughly sucks. It sounds like a bar band...
Victoria singer-songwriter Vic Horvath hailed from Calgary but settled in BC’s oceanside capital (a move they discuss in the song “Shiney Shotgun”). After a couple of years of performing, touring and popping out the odd single, they finally released
Indie Rock Hall of Famers, Lowest Of The Low, celebrate new album release October 12 in Kingston with By Divine Right
Nervous Fellas with Deadcats and Swank
June 20th, The Rickshaw Theatre
By Allan MacInnis
I remember witnessing a leather-jacketed rocker viciously take to pummelling a much smaller, dreadlocked kid at a Reverend Horton Heat show a few...
Still Alive in Kingston starring Bill Welychka, local pop, rock and hip-hop acts to premiere at KCFF this winter
Yowza! Saturday night was a melting pot of birthdays, friends, and 4 of Vancouver’s finest bands all under one small jam-packed roof. Getting over the ridiculous layout of The Railway takes some time getting used to if you’re not a regu...
Illustrator Val Lawton is interviewed by Calgary Public Library regarding her illustration career and the impact of the library
Sometimes musicals aren’t all happy and cheery like many make them out to be.
Set in the late 1800’s, the dramatic musical Fires Burning takes the audience to a disaster that hits the small western town of Caldoon’s Crossing.
Valley brought their ‘Water the Flowers, Pray for a Garden’ tour to The Ale House on November 7
Sleep and Black Wizard, Commodore Ballroom, Vancouver February 7th 2015
While there has been much to enjoy with the spate of band reunions in recent years, (how many fans have had the renewed opportunity to witness performances by Carcas...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio