BLACK MOUNTAIN
In The Future
Jagjaguwar
When I hear Stephen McBean’s slowly-picked A-minor guitar intro for “Stormy High,” I’m almost tricked into thinking it’s a cover of “Hell’s Bells,” but then the swing-time Black...
Review of geode inspired work by Charine Barber seen at the Sooke Fine Art Show.
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
I’ve heard from numerous sources that the dance floor at the Commodore is supported by a layer of tennis balls, but I’ve never had cause to believe it until TV on the Radio unknowingly put this hearsay to the test. During a visceral tak...
Nearly Famous Music Festival
Friday, November 14 @ Railway Club
This night had a definite New Wave feel to it. A draft choice of late 70's and early 80's influences was bandied about. Streetlight, a four piece of bass, drums, keyboard...
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
Saturday November 15th 2008
What was supposed to be a review of one show has been altered by restless feet and a desire to see a couple of shows if possible in one night. Canucklehead punk veterans SNFU pinned the audience to the mat at...
Ahead of their performance at Howe Island Rockin' the Rock, we asked members of The Wilderness to name their favourite Kingston music festivals.
Minto Climbs Olympus by Matt Hagarty
It's any young band's dream to record an album with such a marquee name as Steve Albini's. Recording with the famed sound engineer/pundit responsible for output from Nirvana, Superchunk, The Stooges,...
Thursday, November 13 at Honey Lounge
The crystal chandeliers and velvet couches of Honey Lounge are the perfect backdrop for an eclectic band like Vonnegut Dollhouse. Formed two years ago by keyboardist James Ford and vocalist/guitar...