Corbin Murdoch and the Nautical Miles
Wartime Love Song
Steeped in sweet melancholy and lyrical charm, Wartime Love Song, the second album by Corbin Murdoch and the Nautical Miles, enchants its listeners with an extended-concept love so...
Grand OnStage presents the acclaimed, JUNO Award-winning band at Kingston Grand Theatre November 10
October 27th 2009, the Rickshaw
After braving the absurd line-up of punks with little choice but to chain smoke furiously in an attempt to keep warm, I finally made it inside the Rickshaw Theatre---after an hour and a half. I guess...
It’s been six long years since Carcass were last in Western Canada, and in the months since the Decibel Tour was announced, an electric atmosphere of anticipation has grown to a fever pitch for tonight’s show. This is shown from the ear...
Alternative Folk-Rock band Shred Kelly from Fernie are excited to announce their 2024 summer tour.
Following a successful 17-date album release tour in support of their 2023 LP Blurry Vision, the band is pumped to get back on the road this summer.
Grand OnStage presents a trailblazing musical response to the Truth & Reconciliation Committee’s 94 Calls To Action, January 23 at Kingston Grand Theatre
The Wrecktals – Speaking their mind from time to time.
An interview with bassist Christoph Leon
by Denis Maile of The Skinny
DM: How did you come up with the band name?
CL: As a reminder to never take ourselves too seriously, re...
Live Review from Toxic Holocaust, Mammoth Grinder, Ramming Speed and Ogroem at the Biltmore Cabaret - 23/01/14
Glorywhore is a great name, and when playing with HookerPop, it's awesome. In the first week of the New Year, I went to the Princeton to check out Glorywhore. What I got was a petite Suicide Girl, Maiwan, with her incredible scratchy growl ...
How MISSA afforded an opportunity for a local artist to exhibit her work in New York and the events that flowed from it. Metchosin International Summer School of the Arts (MISSA), local artist MaryLou Wakefield, Master Printmaker Dan Welden, Southampton
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr