BIOGRAPHICAL INFO
A pro boxer will tell you that success in the ring hinges on the
belief in your own abilities. Belief which endures a pounding heart or
a weakened knee. Belief in oneself even after being knocked down to
the canvas o...
Best of 2016: The Garage received a lot of blues CDs this year and all of them were above standard, but ultimately had to be judged for other reasons of personality, believability, skill and versatility, etc. Take a bow Michael Kaeshammer a...
Cracker
Sunrise in the Land of Milk and Honey
429 Records
Since the early 1990s, and most famously with 1993’s platinum selling Kerosene Hat, Cracker has been providing an interesting take on contemporary alternative country (think ...
GWAR – Oderus Urungus Does Not Smoke Crack Well With Others
Oderus Urungus is not the sort of intergalactic barbarian warlord who minces his words. I spoke with the leader of GWAR recently, and between copious puffs on his crack pipe,...
Yvonne was interviewed for the Sept/Oct 2015 issue of YAM magazine, where she discussed her role as Victoria’s Poet Laureate.
Interview with HHH was done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where do you guys meet? When did you decide to form the band?
HHH: We all met through playing in other projects together. For example, our drummer, Pher, and Ch...
Sharon Jones and the Dap-Kings release new record, "Give the People What They Want". The release date was scheduled for the passed summer, but was pushed later due to the diagnoses of Sharon Jones's Stage II pancreatic cancer. After undergoing treatment,
A review of The Glorious Sons hometown performance, December 31, 2023 at Leon's Centre in Kingston
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio