Chris Koster pitches in on production of. "Strangers I Used To Love," out January 31
Victoria singer-songwriter Vic Horvath hailed from Calgary but settled in BC’s oceanside capital (a move they discuss in the song “Shiney Shotgun”). After a couple of years of performing, touring and popping out the odd single, they finally released
The genre-jumping duo prepares to tour their “most country album” with a stop in Kingston June 2, 2023
Pub 340 - June 5th, 2008
MUSIC WASTE 2008:
The B-Lines / Dead Ghosts / Get Well Bomb / The TVees
Pub 340 - June 5th, 2008
Dave Bertrand
For the first time in many moons, I really made the effort to make it out on time for the openi...
To understand the resurgent popularity of thrash metal among a new generation of fans one need look no further than Brazilian thrash stalwarts Sepultura.
"I remember one of the last times he saw me, he said, 'Please make sure everybody hears this music.'" Promise kept.
Yowza! Saturday night was a melting pot of birthdays, friends, and 4 of Vancouver’s finest bands all under one small jam-packed roof. Getting over the ridiculous layout of The Railway takes some time getting used to if you’re not a regu...
Martin Springett's The Gardening Club is cosmic Canadiana at its best, and his story is a CanCon prog rock version of the Searching For Sugar Man saga
Cheap Trick proves endless talent performing on "Guitar Center Sessions" season finale.
The unrivaled band shows no signs of slowing down as they amaze the crowd with their classic, high-charting song, "Dream Police".
The group recently toured th
Agent Orange, China Creeps, Life Against Death, Plus Perfect
The Cobalt, Sun Feb 22nd
It’s not very hard to be the hot ticket on a Sunday night, and when Agent Orange was in town what would you rather be doing? Watching some ‘Simp...
"This is a stunning debut album for Angela Verbrugge. Simply stunning!", Toronto Music Report writer Raul da Gama raves.
Grade 4/5 students attending McKenzie Elementary produce poems and pictures for Swan Creek bridge
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,