Local historian Glenn Parfitt was determined to create a website chronicling the early days of rock ’n’ roll in Victoria — despite the challenges involved in tracking down material.
Joshua Watts at the Victoria Arts Council Sept 9 - Oct 30.
Review:
http://www.artopenings.ca/joshua-watts.html
Report on Gage Gallery Community Art Project designed to help people connect and donate during Covid-19
Review of “Oscillatio” exhibit by Sarah Cowan and Connie Michele Morey at xChanges gallery.
Thee Manipulators
The morning after I first saw local 5 piece garage rock band Thee
Manipulators I woke up with two maracas in my bed and a lot more pins
on my jacket. Strangely, I had acquired a pin of an intoxicated/hungry looking fe...
There were moments of giddy transcendence a few weeks back when this very magazine held its official Launch Party featuring a host of Vancouver talent, among them a long-standing (but largely overlooked punk band) named Aging Youth Gang, wh...
Video by Lola Parks keeps levidrome front of mind. Victoria boy's word continues to gain momentum online. Lucky Budd, father of Levi Budd, campaigns to get "levidrome" in the dictionary.
ANZA Club - Sat.May.24th
I was in a bit of a funk as I made my way down to the ANZA club, already half-cut and looking to have my shit saved by some good ‘ol rock and roll. And with tonight’s amazing lineup, I was sure to have the ...
Victoria singer-songwriter Vic Horvath hailed from Calgary but settled in BC’s oceanside capital (a move they discuss in the song “Shiney Shotgun”). After a couple of years of performing, touring and popping out the odd single, they finally released
New single by The Glorious Sons a catchy summer hummer.
Language evolves according to circumstance. Using terms like Indian, aboriginal, native, indigenous or First Nations is full of potential pitfalls. Writers must be careful to use the currently acceptable vocabulary. It’s important to be b...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio
Review of Ensemble Laude's Winter concert, 2014.
I’ve heard from numerous sources that the dance floor at the Commodore is supported by a layer of tennis balls, but I’ve never had cause to believe it until TV on the Radio unknowingly put this hearsay to the test. During a visceral tak...