New single by The Glorious Sons a catchy summer hummer.
Two shows, one night.
By: denis maile
I shouldn’t write this review. I didn’t know it was going to happen. I didn’t plan on hitting two shows, I didn’t plan on writing about my night, and I didn’t even plan on getting drunk. ...
Live Review from Toxic Holocaust, Mammoth Grinder, Ramming Speed and Ogroem at the Biltmore Cabaret - 23/01/14
Bill Johnson has made a fantastic release that we highly recommend.
Merchandise sales are essential for touring artists, and a new program will give them a bigger slice of the pie.
It always does me proud to discover a local band making quality music that's true to the landscape of this varied terrain. Rocky, cool, stormy, eclectic, thoughtful and laid back, these words only begin to describe the Parlour Steps sound. ...
Yowza! Saturday night was a melting pot of birthdays, friends, and 4 of Vancouver’s finest bands all under one small jam-packed roof. Getting over the ridiculous layout of The Railway takes some time getting used to if you’re not a regu...
Lay it On Me
Self-distributed
Waa-BOOM! With an album title ripped from frontman Ryan Hoben’s muscleman tattoos, indiefolkrocksters Minto punch it open with sludgy dirge, “New Bones” – formerly a chooglin’ alt-country number i...
Local historian Glenn Parfitt was determined to create a website chronicling the early days of rock ’n’ roll in Victoria — despite the challenges involved in tracking down material.
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
LINDEN SINGERS OF VICTORIA SET TO FLOURISH WITH NEW MUSIC DIRECTOR, EDETTE GAGNE
A visionary leader for this choral gem!
[Victoria, BC, August 15, 2021]
Edette Gagné has been named Music Director of Linden
Singers of Victoria, taking...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio