Lay it On Me
Self-distributed
Waa-BOOM! With an album title ripped from frontman Ryan Hoben’s muscleman tattoos, indiefolkrocksters Minto punch it open with sludgy dirge, “New Bones” – formerly a chooglin’ alt-country number i...
A review of Everybody Left's Season One (2009 - 13) compilation album.
When The Wilderness took the stage at Skeleton Park Arts Festival in the summer of 2019, they were met with uproarious applause. People got up from their lawn chairs and their picnic blankets to dance and sing along in the late afternoon su...
Cadence Weapon
Afterparty Babies
Big Dada
4/5
Canada doesn't produce a whole lot of hip-hop in general, let alone the sterile mall haven of Edmonton. As such, the sophomore album from Rollie Pemberton (aka Cadence Weapon) is going to ...
BLACK MOUNTAIN
In The Future
Jagjaguwar
When I hear Stephen McBean’s slowly-picked A-minor guitar intro for “Stormy High,” I’m almost tricked into thinking it’s a cover of “Hell’s Bells,” but then the swing-time Black...
Cracker
Sunrise in the Land of Milk and Honey
429 Records
Since the early 1990s, and most famously with 1993’s platinum selling Kerosene Hat, Cracker has been providing an interesting take on contemporary alternative country (think ...
The Red Hot Lovers had their cd release party and last show ever on the same night. Talk about rock stars. I would be worried about doing that based on the fact that you might end up with a box of cds in your closet. Hopefully this doesn’...
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...
CD REVIEW
The Bicycles’ Oh No, It’s Love is not the kind of record that warrants a large, wordy review filled with pretentious journalistic nit-picking. The fact of the matter is simple: Oh No, It’s Love is filled to the rim with h...