Wynn Gogol has been involved in enough recording sessions over the years to know what works in a studio setting and what gets in the way of musical momentum.
INTERVIEW
Wantmonster are straight off the hard streets of Nelson B.C. Ok, the streets there aren’t very hard, unless you’re afraid of hippies with giant dreads that look like matted down stinky beaver tails, and who isn’t? Wantmon...
GWAR – Oderus Urungus Does Not Smoke Crack Well With Others
Oderus Urungus is not the sort of intergalactic barbarian warlord who minces his words. I spoke with the leader of GWAR recently, and between copious puffs on his crack pipe,...
Wreaking havoc on the Vancouver scene for more than a decade, The Darkest of the Hillside Thickets never fail to come up with strange and exhilarating new ways to reach out and clutch their victims. Staying true to their uniquely horrid app...
Paul McKenzie Interview Part 2
CJ: The band formed in 1992. How was starting a punk project in the high-age of grunge music?
Paul: I could bend your ear for an hour with a question like that. We knew some bands in Seattle that would set...
A quick Q&A with the JUNO-winning band ahead of their sold out show in Kingston on February 23.
She’s been at it for 35 years, but Toni Blodgett’s love of jazz continues to fuel her band’s unique blend of what she calls “more traditional” music.
What it really means is her group has access to a vast repertoire of jazz tunes and has develo
"I remember one of the last times he saw me, he said, 'Please make sure everybody hears this music.'" Promise kept.
The venue shift for the Subhumans May 15th gig - from the Anza to the Ukrainian Hall (805 E. Pender) - returns the band to the scene of the famed 1979 Rock Against Prisons benefit, which also included Tunnel Canary, AKA, the female-fronted ...