Known as the heart of Vancouver's vibrant jazz scene, saxophonist and pianist Ross Taggart let a national legacy of impressive musical contributions, along with an unmatched sense of humour. On Sunday, April 15 the Victoria Jazz Orchestra and special gue
Minto Climbs Olympus by Matt Hagarty
It's any young band's dream to record an album with such a marquee name as Steve Albini's. Recording with the famed sound engineer/pundit responsible for output from Nirvana, Superchunk, The Stooges,...
In the ever-changing world of indie-rock, be it Vancouver or elsewhere, it’s a respectable feat to maintain a working band for ten years…and the Buttless Chaps have been doing just that, with no signs of wearing out or slowing down. Cor...
A deluxe, hand-crafted book-and-record box set edition will be available through Genesis Publications, limited to 1,000 copies
Bumblebee is the first of five never-before-heard songs.
Black Wizard
s/t
Vancouver's music scene seems to be traditionally known for two things: drugs and hard rock. Despite the critical pitfalls of these influences, the city has a habit of inexplicably turning out the most palatable and au...
Legendary Steve Miller Band set to rock Kingston on June 25. Pre-sale ends Thursday, February 29 at 10 pm.
Focus by Brad NugentBrad Nugent
Paul McKenzie Interview Part 2
CJ: The band formed in 1992. How was starting a punk project in the high-age of grunge music?
Paul: I could bend your ear for an hour with a question like that. We knew some bands in Seattle that would set...
Glorywhore is a great name, and when playing with HookerPop, it's awesome. In the first week of the New Year, I went to the Princeton to check out Glorywhore. What I got was a petite Suicide Girl, Maiwan, with her incredible scratchy growl ...
“We weren’t necessarily going for an animal name,” Bison BC co-guitarist/ co-vocalist James Farwell tells me when I ask about the name Bison. “We’d tossed around these Godawful made up words - ‘what looks good in a good metal fo...
Remembering the Summer of Love
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr