"This is a stunning debut album for Angela Verbrugge. Simply stunning!", Toronto Music Report writer Raul da Gama raves.
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio
Let me preface this review by saying I’ve known Summer since she was barely out of her teens and coming out to sit in or jam at various venues I was playing at around Victoria BC. I’ve watched her career with great interest and she has ...
Jason Flower’s fantastical journey in music has taken him to some faraway places.
Poland, India, Italy, Spain, Portugal, Switzerland. All the while, Flower kept tabs on music being produced at home and abroad, which resulted in the creation of Suprem
Grade 4/5 students attending McKenzie Elementary produce poems and pictures for Swan Creek bridge
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
Best of 2016: The Garage received a lot of blues CDs this year and all of them were above standard, but ultimately had to be judged for other reasons of personality, believability, skill and versatility, etc. Take a bow Michael Kaeshammer a...