Murphy's band 80s Enuff! performs live at The Cove Inn, June 30
As I Lay Dying / Misery Signals / August Burns Red / Evergreen Terrace
Croatian Cultural Centre, Tuesday April 29th
Until this impeccably brutal show, I believed the Croatian Cultural Centre was to be avoided at all costs, but the na...
ANZA Club - Sat.May.24th
I was in a bit of a funk as I made my way down to the ANZA club, already half-cut and looking to have my shit saved by some good ‘ol rock and roll. And with tonight’s amazing lineup, I was sure to have the ...
LINDEN SINGERS OF VICTORIA SET TO FLOURISH WITH NEW MUSIC DIRECTOR, EDETTE GAGNE
A visionary leader for this choral gem!
[Victoria, BC, August 15, 2021]
Edette Gagné has been named Music Director of Linden
Singers of Victoria, taking...
It's a rare occasion when an album captures me with such force on the first listen and keeps me rapt until the closing note, but this one takes the prize. In fact this is one of the best albums i have ever heard. Rob Nicholls and Galen Rigt...
The Railway Club, May 15th, 2009
The signature choo choo train circled the ceiling of the Railway Club as Sun Wizard took the stage on May 15th. The first of four Vancouver bands, Sun Wizard warmed up the crowd in their third performanc...
Nomeansno at the Royale Banquet Hall
April 3rd By Allan MacInnis
Tom Holliston of Nomeansno is a baseball fan, so it was fortunate for him that the band’s recent Japanese tour - only their second in their 30 year history - took plac...
Kingston Live podcast episode 59
The Glim Project / Incura / Stand Down / Hezzakya
Stand Down C.D. Release Party
The Penthouse, Fri. May 9th
Edward Dinsley
I hate being the reviewer who turns up late to a show and all but misses the opening act. Unfortunately, I was...
Enjoy a variety of art by fabulous local artists in all mediums curated for Creatively United. On display April 15 + 16 at Royal Bay Secondary and Saturday, April 23 from 1 – 5 pm at the Royal BC Museum.
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio